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Film soundscapes
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Module 4
Psychoacoustics and Sonic Perception
1
Auditory Masking in Film Sound Mixing
Explain the psychoacoustic principle of auditory masking and its application in film sound mixing.
2
Understanding Auditory Scene Analysis in Film Mixing
Explain the principles of Auditory Scene Analysis (ASA) and how the brain segregates sound sources in a complex film mix.
3
Psychoacoustic Cues for Cinematic Spatialization
Describe the primary psychoacoustic cues for spatial hearing (e.g., ITD, ILD) and their use in creating cinematic space.
4
Auditory Scene Analysis
Explain how the human auditory system organizes complex soundscapes into perceptual streams.
5
Embodied Cognition and Film Sound Perception
Explain the concept of embodied cognition and its role in the perception of film sound.
6
The Interplay of Cognition and Affect in Film Sound Perception
Discuss how cognitive and affective processes interact in the perception of film soundscapes.
7
Sound and Focus: Directing Audience Attention
Analyze how filmmakers exploit perceptual tendencies to direct audience attention through sound.
Previous module
Production and Design as Theoretical Practice
Next module
Theories of Sonic Immersion and Space