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Film soundscapes
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Module 5
Theories of Sonic Immersion and Space
1
Sonic Immersion: Beyond Presence and Envelopment
Define sonic immersion in cinema and distinguish it from related concepts like presence and envelopment.
2
Immersive Sound in Film
Analyze how surround sound and spatial audio technologies are used to create immersive film experiences.
3
Crafting Place and Immersion with Sound and Silence
Describe the role of ambient sound, room tone, and silence in constructing a sense of place and immersion.
4
Phenomenology of Cinematic Sensation: Merleau-Ponty and Embodied Perception
Explain key phenomenological concepts (e.g., embodied perception) relevant to analyzing sensory experience in cinema, drawing on Merleau-Ponty.
5
Sobchack's Phenomenology of Cinematic Experience
Describe how Vivian Sobchack applies a phenomenological framework to analyze the viewer's carnal experience of cinema.
6
Soundscapes & Immersion: A Phenomenological Approach
Synthesize a phenomenological framework, drawing on Sobchack, to analyze how a film's soundscape produces or disrupts a sense of immersion.
Previous module
Psychoacoustics and Sonic Perception
Next module
Sound, Place, and Cultural Identity