Skip to main content
grasp.study
About
Explore
Pricing
Log in
Try it for free
Back to course
👋
Welcome to a Grasp lesson
Create a free account
to keep studying and create your own study path.
Music Theory for Electronic Music
·
Module 7
Advanced Harmonic Techniques
1
Modal vs. Tonal Harmony
Explain the distinction between modal harmony (static) and tonal harmony (functional).
2
Borrowing Chords from Parallel Modes
Apply modal interchange by borrowing chords from a parallel mode (e.g., using chords from C minor in a C major context).
3
Tonicizing Non-Tonic Scale Degrees with Secondary Dominants
Identify and use secondary dominant chords to tonicize non-tonic scale degrees.
4
Tritone Substitution Explained
Explain and apply tritone substitution (e.g., substituting Db7 for G7 leading to C).
5
Pedal Tones and Drones: Harmonic Anchors
Use pedal tones and drones to create a harmonic anchor for melodic and chordal movement.
6
Planing and Parallelism: Textural Harmonic Shifts
Apply non-functional chord movement (planing/parallelism) to create textural harmonic shifts.
7
Chromaticism & Dissonance for Tension
Use chromaticism and dissonance to build tension for builds and drops.
8
Industrial and Noise Music: Manipulating Harmonic Ambiguity and Tension
Analyze how harmonic ambiguity and tension are manipulated in industrial and noise music.
Previous module
Diatonic and Functional Harmony
Next module
Rhythm, Meter, and Sequencing