Hello! Welcome to our next lesson.
In our last session, we explored the Doppler effect, which arises from the relative motion between a wave source and an observer. We saw how this motion changes the perceived frequency of the wave. Today, we'll continue our study of wave superposition by examining what happens when two waves with slightly different frequencies interfere at the same point in space. This phenomenon creates a distinctive, pulsating sound called "beats."
Our learning outcome for today is to solve problems involving the formation of beats and beat frequency. This is a classic topic for the NEET exam, and mastering the problem-solving techniques associated with it will be a great asset. We'll start with the concept, then learn the simple formula, and finally, as you prefer, dive into a "vigorous" session of problem-solving.
1. The Phenomenon of Beats
When two sound waves of nearly equal (but not identical) frequencies are played simultaneously, our ears perceive a single sound whose loudness periodically increases and decreases. This periodic variation in loudness is what we call beats. The sound seems to "wobble" or throb.
This happens because the waves continuously drift in and out of phase with each other.
- When they are in phase (crest meets crest), they interfere constructively, and the sound is loud (waxing).
- When they fall out of phase (crest meets trough), they interfere destructively, and the sound becomes soft (waning).
To understand this both visually and audibly, please watch the following segment from a Khan Academy video.
Beat frequency | Physics | Khan Academy
This video, 'Beat frequency', provides an excellent intuitive explanation of why beats occur and includes an audio demonstration of the 'wobble' sound.
Watch from 01:57 to 05:38. Focus on how the slight difference in period (and thus frequency) causes the two waves to alternate between constructive and destructive interference over time. Pay attention to the audio example to connect the concept to a real sound.
The resulting wave looks like a high-frequency wave contained within a lower-frequency "envelope" that dictates its amplitude, as shown below.

2. Calculating Beat Frequency
The rate at which the loudness fluctuates is called the beat frequency. It is a very simple but powerful relationship: the beat frequency is equal to the absolute difference between the frequencies of the two interfering waves.
The formula is:
Where:
- is the beat frequency in Hertz (Hz), which corresponds to the number of beats you hear per second.
- and are the frequencies of the two individual waves.
The human ear can typically distinguish beats when the frequency difference is less than about 10-15 Hz. Beyond that, the throbbing is too rapid, and we start to hear two distinct tones.
Let's watch a quick video that focuses on solving problems using this formula.
Beat Frequency Physics Problems
The video 'Beat Frequency Physics Problems' by The Organic Chemistry Tutor gets straight into applying the formula to solve typical problems you'll encounter.
Watch the first two minutes of the video (00:00 to 02:09). The first part is a basic calculation. The second problem is a common type where you are given the number of beats over a time interval and must find the possible frequencies of one of the sources.
3. Solving NEET-Style Problems
Now, let's put this into practice with the types of problems you'll face on the NEET.
Type 1: Finding an Unknown Frequency
This is the most common problem type. You are given a known frequency and the beat frequency, and you must determine the unknown frequency.
Example: A tuning fork with a known frequency of 440 Hz is sounded at the same time as a guitar string, and 4 beats per second are heard. What are the possible frequencies of the guitar string?
Solution:
We know Hz and Hz.
Using the formula , we have:
This equation has two possible solutions for :
- Hz
- Hz
So, the guitar string could be vibrating at either 436 Hz or 444 Hz. Without more information, both are valid possibilities.
Type 2: Using a Second Measurement to Find the Unique Frequency
To find the single correct frequency, problems will often provide a second piece of information. This usually involves slightly changing the frequency of one of the sources and observing the new beat frequency.
A common way to change the frequency of a tuning fork is by loading it with wax or filing its prongs.
- Loading (adding wax): Increases the mass, which decreases the frequency.
- Filing (removing mass): Reduces the mass, which increases the frequency.
Let's work through a problem from your study material.
Concept Notes on Waves for NEET
This solved example from the 'Concept Notes on Waves for NEET' by Disha Publication is a great illustration of this problem type. We will analyze the logic behind it.
Locate 'EXERCISE - 2' in the document. We will solve question 13 on page 328 together. First, read the question: 'A fork of unknown frequency gives four beats/sec when sounded with another of frequency 256. The fork is now loaded with a piece of wax and again four beats/sec are heard. Then the frequency of the unknown fork is...'
Let's solve it step-by-step:
-
Initial possibilities:
- The known frequency is Hz.
- The beat frequency is Hz.
- So, the possible frequencies for the unknown fork () are:
- Hz
- Hz
-
Analyze the second measurement:
- The unknown fork is loaded with wax, which means its frequency decreases.
- The new beat frequency is still 4 beats/sec.
-
Test the possibilities:
-
Case A: Assume the original frequency was 260 Hz.
- When loaded, its frequency will decrease (e.g., to 259 Hz, 258 Hz, etc.).
- Let the new frequency be , where Hz.
- The new beat frequency is .
- Is it possible for this new beat frequency to be 4 Hz? Yes. If the frequency drops from 260 Hz down to 252 Hz, the beat frequency with the 256 Hz fork would be Hz. This is consistent with the observation.
-
Case B: Assume the original frequency was 252 Hz.
- When loaded, its frequency will decrease (e.g., to 251 Hz, 250 Hz, etc.).
- The new frequency will be less than 252 Hz.
- The new beat frequency is . Since is getting even further away from 256 Hz, the difference will become larger than 4 Hz.
- This contradicts the observation that 4 beats/sec are heard again.
-
-
Conclusion: The only possibility that fits all the data is that the original frequency was 260 Hz. Loading it with wax caused its frequency to drop to 252 Hz, reproducing the 4 Hz beat frequency.
This logical testing of hypotheses is the key to solving these problems.
Test your understanding!
Two tuning forks A and B produce 6 beats/s. The frequency of A is 250 Hz. When fork B is filed slightly, the beat frequency increases to 8 beats/s. What was the original frequency of fork B?
Show answer
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Initial Possibilities for B: Since the beat frequency is 6 Hz, the frequency of B () could be Hz or Hz.
-
Analyze the Change: Filing fork B increases its frequency.
-
Test the Possibilities:
- If was originally 256 Hz, filing it would increase its frequency (e.g., to 257 Hz, 258 Hz...). The new beat frequency with 250 Hz would be beats/s. This matches the observation that the beat frequency increased to 8.
- If was originally 244 Hz, filing it would increase its frequency (e.g., to 245 Hz, 246 Hz...). The new beat frequency with 250 Hz would be beats/s. This contradicts the observation that the beat frequency increased.
-
Conclusion: The original frequency of fork B was 256 Hz.
4. Practice Problems
To reinforce your understanding, try these questions from the 'Concept Notes on Waves for NEET' (resource LINK).
- Exercise 1, Question 24 (page 328): A source X of unknown frequency produces 8 beats per second with a source of 250 Hz and 12 beats per second with a source of 270 Hz. The frequency of the source X is...
- (a) 242 Hz
- (b) 258 Hz
- (c) 282 Hz
- (d) 262 Hz
- Exercise 2, Question 66 (page 332): A tuning fork of frequency 512 Hz makes 4 beats per second with the vibrating string of a piano. The beat frequency decreases to 2 beats per sec when the tension in the piano string is slightly increased. The frequency of the piano string before increasing the tension was...
- (a) 510 Hz
- (b) 514 Hz
- (c) 516 Hz
- (d) 508 Hz
(Hint: How does increasing tension affect the frequency of a string? Recall the formula .)
Show Answers
-
Question 24 Answer: (b) 258 Hz
- From the first piece of information: could be , so 258 Hz or 242 Hz.
- From the second piece of information: could be , so 282 Hz or 258 Hz.
- The only frequency that satisfies both conditions is 258 Hz.
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Question 66 Answer: (d) 508 Hz
- Initial possibilities for the piano string are , so 516 Hz or 508 Hz.
- Increasing the tension in the string increases its frequency.
- If the original frequency was 516 Hz, increasing it further would make the beat frequency with 512 Hz increase (e.g., if it becomes 517 Hz, beats = 5). This contradicts the problem statement.
- If the original frequency was 508 Hz, increasing it would bring it closer to 512 Hz (e.g., to 510 Hz). The new beat frequency would be beats/sec. This matches the problem statement.
Conclusion
Today we've demystified the phenomenon of beats. It's a direct and audible consequence of wave superposition, and the problems related to it follow a clear, logical pattern.
Key Takeaways:
- Beats are the periodic "waxing and waning" of sound loudness when two waves with slightly different frequencies interfere.
- The beat frequency is the number of loudness cycles per second and is calculated with the simple formula: .
- Most NEET-style problems require you to determine an unknown frequency from two possibilities by analyzing how the beat frequency changes when one source's frequency is altered.
- Remember: Loading a tuning fork decreases its frequency; filing it increases its frequency.
Preview of the Next Lesson:
We have now covered the key concepts of superposition, standing waves, the Doppler effect, and beats. In our next lesson, we will have a comprehensive problem-solving session that combines all these topics. This will be a great opportunity to practice multi-concept NEET-style questions and solidify your understanding of the entire "Wave Interactions and Sound" module.