Hello! Welcome back to our course.
In our last lesson, you learned how to use one-point and two-point perspective to draw cubes and place them in a 3D space. This system works perfectly when objects are aligned to a grid, like buildings on a street. But what happens when an object is tilted or rotated towards you, like an outstretched arm or a pointed finger?
This is where foreshortening comes in. Today's lesson is dedicated to this crucial concept. The learning outcome is to apply foreshortening to simple geometric forms to create the illusion of depth.
Foreshortening is the "magic trick" that makes objects appear to have depth and project out of the 2D page. It's the final piece of the puzzle in our Drawing Fundamentals module and the direct bridge to your goal of drawing the human figure, which is full of foreshortened forms.
1. What is Foreshortening?
At its core, foreshortening is a visual effect that happens when you view an object at an angle. The parts of the object that are closer to you appear larger, and the parts that are farther away appear smaller and compressed. Our brain knows an arm has a certain length, but when it's pointing at us, we see a much shorter, distorted shape. Learning to draw that distortion accurately is the key to creating convincing depth.
Let's start with a formal definition. The book 'You Can Draw in 30 Days' introduces foreshortening as the first of its 'Nine Fundamental Laws of Drawing.'
Please read the introduction on the first page, specifically focusing on the definition of Law 1: Foreshortening. It's described as: 'Distort an object to create the illusion that one part of it is closer to your eye.'
Now, let's see a more dynamic take on what foreshortening is and why it's so important for creating exciting drawings.
How to draw FORESHORTENING | Perspective Tutorial | Drawlikeasir
The YouTuber 'Draw like a Sir' gives a great introduction to the topic and why it's a game-changer for making your art look less flat.
Watch from the start until 01:32. Pay attention to his definition and the examples he shows of how foreshortening makes a pose more dynamic.
2. The Core Technique: It's All About Size
The principle behind foreshortening is simple: closer is bigger, farther is smaller. The challenge is training your hand and eye to draw this effect instead of what your brain thinks the object should look like.
Let's look at the most fundamental application of this idea to a cylinder, or a tube.
How to draw FORESHORTENING | Perspective Tutorial | Drawlikeasir
The 'Draw like a Sir' video continues with a brilliantly simple, procedural method for drawing a foreshortened tube. This is a foundational exercise.
Watch from 01:32 to 03:11. The key takeaway is the process: draw the starting shape (a circle or ellipse), draw the ending shape (a smaller circle/ellipse), and then connect them. The greater the size difference, the more extreme the foreshortening.
This technique of simplifying an object into basic forms, like cylinders, is the key to applying foreshortening to complex subjects—especially the human figure.
This is exactly how you'll approach drawing foreshortened arms and legs. You'll visualize them as a series of connected, overlapping cylinders.

3. Applying Foreshortening to Other Forms
This "closer is bigger" rule applies to all shapes, not just cylinders. Let's see how it works for a cube.
In the last lesson, you used vanishing points to construct cubes. Foreshortening offers a way to draw a rotated cube more freely, without setting up a full perspective grid.
- You start by drawing the front face of the cube. Because it's tilted, it won't be a perfect square. It will be a foreshortened square, which looks like a trapezoid. The edge closer to you will be longer, and the edge farther away will be shorter.
- Then, you draw the back face as a smaller version of the front face.
- Finally, you connect the corresponding corners.
The Love Life Drawing article provides some excellent context on how simplifying to forms, using overlaps, and applying basic perspective all work together to "sell the illusion" of foreshortening.
4 Easy Steps To Finally Conquer Foreshortening
This article, '4 Easy Steps To Finally Conquer Foreshortening', provides a great conceptual framework for thinking about foreshortening.
Skim through these three short sections: Step 1: Simplify the form, Step 3: Use Overlaps, and Step 4: Apply Perspective. Notice how these ideas reinforce what we've learned: breaking things down to cylinders/boxes, using overlaps to show depth, and the core rule that farther objects appear smaller.
To see how this all comes together for figure drawing, let's watch one more short clip.
How to Draw FORESHORTENING ( Starting with Basic Forms )
Artist Robert Marzullo demonstrates how to build foreshortened limbs using these exact principles. This will give you a clear preview of how you'll use this skill for drawing anatomy.
Watch from 00:10 to 03:01. Focus on how he uses overlapping cylinders and simple block shapes to construct an arm that appears to be coming towards the viewer.
4. Practice: The Slinky Challenge
Now it's time to put this into practice in Procreate. We're going to combine the cylinder technique, overlapping, and size variation in a fun exercise.
Estimated time: 25 minutes
Your goal is to draw a "slinky" or a tube that is curving and twisting in space, coming towards the viewer.
- Start Far Away: On your canvas, draw a small ellipse. This is the end of the tube that is farthest from us.
- Add the Next Ring: Just below and slightly overlapping the first ellipse, draw another one that is a little bit larger. This ring is now in front of the first one.
- Continue the Pattern: Keep adding progressively larger ellipses, each one overlapping the last. As the rings of the slinky get "closer" to the viewer, they should appear larger.
- Create a Curve: Don't just stack them in a straight line. Have them curve to the left or right, as if the tube is bending.
- Connect the Edges (Optional): Once you have a chain of overlapping ellipses, you can go back and draw the outer contour lines that connect them, turning your slinky into a solid tube.
- Experiment! Fill a page with these.
- Try one that is very long and has extreme foreshortening (going from very small to very large).
- Try one that is short and only slightly foreshortened.
- Try drawing a foreshortened cube using the method described in Part 3. Draw the front trapezoid, then a smaller one behind it, and connect the corners.
This exercise forces you to think about size, placement, and overlapping—the three core components of creating depth through foreshortening.
Conclusion
Excellent work today. You've tackled one of the most challenging but rewarding concepts in drawing. By understanding how to distort simple forms, you've unlocked the ability to make objects feel truly three-dimensional and dynamic.
Key Takeaways:
- Foreshortening is the artistic effect of distorting an object to create the illusion that part of it is closer to the viewer.
- The core principle is simple: closer parts appear larger, and farther parts appear smaller.
- The most effective way to apply foreshortening is to first break down complex objects (like arms) into simple geometric forms (like cylinders and cubes).
- Overlapping forms is a powerful and simple way to reinforce the illusion of depth.
You have now completed the "Drawing Fundamentals" module. You've gone from making your first lines to constructing solid 3D forms in perspective.
In our next lesson, we will begin a new module: "Rendering Fundamentals: Light and Value." Now that we can draw forms with line, our next step is to make them look solid using light and shadow. We'll start by learning how to create a full value scale, the foundation for all shading.