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Lesson 5

Show, Don't Tell: Examples from My Writing

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Introduction

Welcome back! In our previous lessons, we've started to assemble a powerful toolkit for descriptive writing. You've practiced using the five senses to ground your writing in concrete reality, used an object to describe an abstract emotion, and crafted your own similes and metaphors to create surprising and insightful comparisons.

Today, we will unite all these ideas under one of the most fundamental principles in creative writing: "Show, don't tell." Our goal is not just to understand this concept, but for you to be able to explain the principle of 'showing, not telling' using examples from your own writing. We'll see how this principle is about creating an immersive experience for the reader, inviting them to deduce and feel things for themselves rather than simply being told what to think.

Interestingly, this very human skill of selective, nuanced description is something that even the most advanced AI struggles with. Given your background in technology, I think you'll find this a compelling entry point into the topic.


What is "Show, Don't Tell"?

At its heart, "show, don't tell" is the difference between reporting a fact and creating an experience. "The man was angry" is telling. "The man's knuckles whitened as he gripped the table, his jaw a tight line" is showing.

This first resource explores this concept by contrasting human writing with AI-generated text. It's a fantastic illustration of why a writer's specific, intentional choices are so crucial.

Show, Don't Tell: What AI Can't Do

Let's begin with the article 'Show, Don't Tell: What AI Can't Do' from CRAFT Literary. It frames the principle in a modern context that should be very familiar to you.

Please read the beginning of the article, starting from the line '“Show, don’t tell” is one of the few standard lessons...' and continue until the end of the paragraph that begins with 'Human writers decide which details to include...'. Focus on how the author critiques ChatGPT's description of a 'peaceful pond' for its use of summary, generalizations, and cliché phrases like 'gentle breeze.' This is a perfect example of what 'telling' looks like in practice.

The AI's failure is that it summarizes the feeling of peace instead of providing the specific sensory details that would allow a reader to experience that peace. It tells you the destination but doesn't let you enjoy the journey.

Now, let's watch a video that defines the principle and offers a powerful analogy.

How to Show, Not Tell: The Complete Writing Guide

This video from Quotidian Writer offers a comprehensive guide. We'll start with the introduction, which clearly defines the principle and presents a useful mental model for its purpose.

Watch the first section, from 00:00 to 03:53. Pay close attention to the concepts of 'dramatizing vs. summarizing' and Pixar writer Andrew Stanton's idea of giving the audience 'two plus two' instead of four. This is about making the reader an active participant.

The "two plus two" analogy is key: showing invites the reader to solve a small, satisfying puzzle. By providing evidence (the details), you allow them to reach the conclusion (the emotion or idea) on their own.


Showing as Evidence

This idea of providing evidence is a useful way to think about the principle, especially from a logical perspective. In an argument, you can't just make a claim; you must support it with proof. In writing, you can't just claim a character is sad; you must show the evidence of their sadness.

This next short video elaborates on this very point.

Show, Don't Tell: Why it Works

The channel Writing with Andrew offers a concise explanation of why showing is so effective, framing it as a form of persuasion.

Watch from 01:46 to 05:29. Notice how the video compares showing to providing evidence for a claim in an argument. The central idea is that you must persuade your reader that a character is sad; you can't just state it and expect them to believe you.


Practical Strategies for Showing

So, how do we put this into practice? "Showing" isn't a single technique but a collection of strategies that rely on the skills you've already been developing.

Let's return to the comprehensive guide from Quotidian Writer to learn some concrete methods.

How to Show, Not Tell: The Complete Writing Guide

This next segment covers six guiding principles for stronger showing. We will focus on a few that are most immediately applicable to your writing.

Watch the segment from 05:42 to 21:22. This is the longest segment, so take your time. As you watch, focus especially on these three strategies: Replace the abstract with the concrete (starts around 07:25): This directly relates to our exercise on describing an abstract emotion through a concrete object. Substitute vague descriptions with specific sensory details (starts around 10:47): This builds on our very first lessons on imagery. Show emotion through dialogue (starts around 17:08): This is a powerful tool we'll explore more later, but it's good to be aware of it now.


Finding the Right Balance: When is it Okay to Tell?

It's important to understand that "Show, don't tell" is a guideline, not an ironclad rule. Telling has its place. You don't need to show every single moment of a character's day. Sometimes, you need to summarize to manage pacing and focus the reader's attention on what truly matters.

Show, Don't Tell Explained with Examples
This image contrasts 'telling' with 'showing'. For emotion, 'She felt nervous' (telling) is compared to describing her sweating palms and racing heart (showing). For setting, 'It was a dark forest' (telling) is contrasted with describing twisted branches and eerie sounds (showing).

The key is to be intentional. You should show the moments of emotional significance, character revelation, and crucial action. You can tell the transitions and less important information. The final segment of the video provides a handy guide for this.

How to Show, Not Tell: The Complete Writing Guide

Let's conclude our video analysis by looking at when telling is not only acceptable but necessary.

Watch the section from 21:22 to 25:35. Pay close attention to the 'cheat sheet' that lists situations where telling is appropriate (e.g., summarizing time passing) and where showing is preferred (e.g., emotions).


Exercise: Analyzing Your Own Writing

Now it's time to apply this principle directly to your work. This is where you will actively demonstrate your understanding, which is the core goal of today's lesson.

Your Task (20 minutes):

  1. Find the two short pieces of writing you produced in our previous lessons:

    • The paragraph where you described an object to convey an abstract emotion.
    • The simile and metaphor you wrote about that same object.
  2. Read your work carefully and answer the following questions. Write down your answers.

    • The Claim: What was the central abstract emotion or idea you were trying to convey (e.g., "loneliness," "joy," "decay")? This is what you were telling at a conceptual level.
    • The Evidence: Identify at least three specific words or phrases from your paragraph that show this emotion. Are they sensory details? Actions? Describe what makes them "showing" rather than "telling."
    • Telling vs. Showing: Can you find any sentence in your paragraph that leans more towards "telling"? For example, did you write something like, "It was a sad sight"? Be honest with yourself—first drafts often contain telling!
    • The Power of Comparison: How did the simile or metaphor you wrote contribute to showing the emotion? Did it offer a surprising piece of "evidence" for your "claim"? Explain your reasoning.

This reflective exercise is not about judging your past writing, but about developing the critical eye of a writer. Learning to see the "show" and "tell" in your own work is the first and most important step toward intentional revision.


Conclusion

Today, you've moved from using individual tools to understanding the architectural principle that governs their use. "Show, don't tell" isn't about following a rule; it's about respecting your reader's intelligence and engaging their imagination.

Key Takeaways:

  • Showing dramatizes; telling summarizes. Showing uses sensory details, actions, and dialogue to create an experience.
  • Thinking of showing as providing evidence for a claim can help you identify where your writing needs more support.
  • Effective writing uses a strategic balance of showing (for important moments) and telling (for transitions and summary).
  • Analyzing your own work for moments of showing and telling is a critical skill for revision and growth as a writer.

Preview of the Next Lesson:

Your work today has prepared you perfectly for our next and final lesson in this module. Having identified moments of "telling" in your own writing, your next task will be to revise a short piece of writing to replace abstract statements with vivid imagery. You'll be taking your analysis and putting it directly into practice.