Introduction
Welcome back. In our previous lesson, we introduced 'Flesh' (la chair), the cornerstone of Merleau-Ponty's late ontology. We saw it as his answer to the problem of dualism—a primordial, elemental fabric of Being from which both the sensing subject and the sensible world arise. We noted that the dynamic life of this Flesh is revealed through a fundamental structure he calls reversibility.
Today's lesson will focus entirely on this structure. Our learning outcome is to explain the 'reversibility thesis' using Merleau-Ponty's example of the touching and the touched. While we used this example as a gateway to the concept of Flesh, we will now analyze it in its own right to understand the precise mechanics of this thesis. This will provide a crucial foundation for understanding the 'chiasm,' the topic of our next lesson.
1. The Core of the Thesis: Touching and Touched
Let's begin by formalizing the example. When one of your hands touches the other:
- One hand acts as the sentient: the subject that touches, explores, and feels.
- The other hand is the sensible: the object that is touched, passive, and felt.
The radical insight of the reversibility thesis is that these are not fixed roles. The hand that is touched can, at any moment, become the hand that touches. The 'object' can become the 'subject', and vice versa. They are two poles of a single, reversible system.
This experience reveals that the touching and the touched are not two separate orders of being (like a mind and a body). Instead, they are what Merleau-Ponty calls two "leaves" of the same fabric. Let's start with a clear summary from a secondary source to ground our understanding.
Merleau-Ponty, Maurice | Internet Encyclopedia of Philosophy
The 'Internet Encyclopedia of Philosophy' article we've used before provides an excellent, concise explanation of the reversibility thesis. It captures the initial premise and the core logic behind it.
Please read the first three paragraphs of the subsection 'b. The Chiasm/Reversibility'. The section begins 'Rather than maintaining a traditional dualism...'. Focus on how the text describes the relationship between touching and touched as neither 'sheer identity nor non-identity,' but as an 'overlapping' and 'encroachment.'
As this reading highlights, the key is that the touching and the touched are intertwined. The hand I touch is not just an object like a stone; it is a fleshy thing that I know is capable of reversing the situation and touching me back. This potential for reversal is always present in the experience of touching.
2. The Crisscrossing: Merleau-Ponty's Own Account
Having established the basic idea, let's now engage directly with Merleau-Ponty's own famously poetic and rigorous description from his unfinished work, The Visible and the Invisible. This will move us from a summary to the heart of the phenomenological description.
[PDF] The Intertwining-The Chiasm - DOUBLE OPERATIVE
We will now read the central passage from 'The Intertwining—The Chiasm' where Merleau-Ponty lays out the reversibility thesis through the hand-touching example. Notice how he describes this as a 'crisscrossing' that incorporates the body into the very world it explores.
Please read the section that starts with 'The look, we said, envelops, palpates, espouses the visible things...' and ends with '...he is one of the visibles, capable, by a singular reversal, of seeing them—he who is one of them.' This passage can be found on pages 133-135 of the PDF. Focus on how Merleau-Ponty argues that for the hand to touch, it must itself be tangible, taking 'its place among the things it touches.'
This passage deepens our understanding significantly. Merleau-Ponty argues:
- Kinship of Seeker and Sought: For my hand to explore textures, there must be a "kinship" between my movements and what I touch.
- The Body Among Things: This kinship is possible only because my hand, while felt from within, is "also accessible from without, itself tangible." It is one of the tangible things in the world.
- The Crisscrossing: This dual status creates a "crisscrossing" where the touching and the tangible are intertwined. They are recorded on the "same map." The two systems are applied to one another "as the two halves of an orange."
- Extension to Vision: He immediately extends this logic to vision. The seer must be part of the visible world. To see, one must be "possessed by" the visible, be "of it." The seer is one of the visibles.
This is the core of the thesis: the sentient (touching, seeing) and the sensible (tangible, visible) are reversible because they are ultimately made of the same elemental stuff—the Flesh.
3. The Crucial Nuance: Imminent but Never Realized
Your background in mathematics trains you to appreciate precision. A crucial point of precision in Merleau-Ponty's thesis is often overlooked: the reversibility is never a perfect coincidence.
Can you simultaneously experience your right hand as touching and as being touched in the exact same way and at the exact same moment? Merleau-Ponty says no. The moment your left hand truly becomes the toucher, your right hand ceases its active exploration and becomes a passive object. There is always a slight gap, a divergence, an écart.
This might sound like a failure of the thesis, but for Merleau-Ponty, it is its most important feature. This "gap" is not a void but what makes the entire structure work. Let's read his final clarification on this point.
[PDF] The Intertwining-The Chiasm - DOUBLE OPERATIVE
In this final reading from the same chapter, Merleau-Ponty directly addresses the limits of reversibility. This adds a critical layer of nuance to the thesis.
Please read the section that begins with 'It is time to emphasize that it is a reversibility always imminent and never realized in fact.' It is found on page 147 of the PDF. Focus on his conclusion that this 'hiatus' or gap is not an 'ontological void' but is 'spanned by the total being of my body.'
This passage reveals the subtlety of the concept:
- "Always imminent and never realized in fact": The coincidence of touching and touched is a limit that is approached but never reached. The moment of fusion is also the moment it "eclipses."
- The Écart is Not a Failure: This incessant "slipping away" is precisely because the two hands belong to the same body moving in the world.
- A Productive Gap: This gap (hiatus) is not a void or a non-being. Merleau-Ponty uses a powerful metaphor: it is like the "zero of pressure between two solids that makes them adhere to one another." It is the space that connects the two leaves of experience, rather than separating them.
This inherent, structural gap between the sentient and the sensible is what maintains their difference while confirming their profound unity within the Flesh. It prevents a total collapse into undifferentiated identity and is the very condition of possibility for perception.
Conclusion
In this lesson, we have moved from a simple statement of the reversibility thesis to a more nuanced analysis of its structure and implications.
Key Takeaways:
- The Reversibility Thesis: The roles of sentient (subject) and sensible (object) are not fixed but are reversible poles of a single experiential event, as exemplified by one hand touching another.
- A Structure of the Flesh: This reversibility is possible because both subject and object are "of" the same elemental Flesh. The seer is a visible, the toucher is a tangible.
- Imminent but Never Realized: The reversal never results in a perfect, simultaneous identity. There is always a gap or écart between the touching and the touched.
- The Productive Gap: This écart is not a failure but a constitutive feature of perception. It is the hinge that binds the two "leaves" of experience (sentient and sensible) together, allowing them to be distinct yet inseparable parts of a whole.
Preview of the Next Lesson:
We have now explored the dynamic process of reversibility and the gap (écart) that defines it. In our next lesson, we will examine the ontological structure that Merleau-Ponty uses to name this intertwining of distinct-yet-inseparable terms. We will explore the concept of the chiasm, the "X" or crisscross that makes reversibility possible.