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Lesson 53

The Chiasm and Reversibility

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Introduction

Welcome back. In our previous lesson, we examined Merleau-Ponty's 'reversibility thesis'. We saw how the experience of one hand touching another reveals that the roles of sentient (subject) and sensible (object) are not fixed but are reversible poles of a single event. Critically, we noted that this reversal is "always imminent and never realized in fact," leaving a productive gap, or écart, that paradoxically ensures the connection between the two.

This lesson builds directly on that foundation. We will now give a name to the underlying form that governs this entire dynamic. Our learning outcome is to describe the 'chiasm' as the ontological structure that makes reversibility possible. The term 'chiasm' comes from the Greek letter Chi (Χ), which visually represents a crossing-over or intersection. This "X" shape is a powerful conceptual tool for understanding the intertwining of subject and object, self and world, that defines Merleau-Ponty's late philosophy.


1. Defining the Chiasm: Structure of Mediation

Before turning to Merleau-Ponty's dense primary text, let's establish a clear, orienting definition of the chiasm from a reliable secondary source.

Maurice Merleau-Ponty - Stanford Encyclopedia of Philosophy

The Stanford Encyclopedia of Philosophy article on Merleau-Ponty provides a very clear explanation of the chiasm. This will give us a conceptual anchor before we delve into Merleau-Ponty's own poetic descriptions.

Please read the first paragraph of the subsection titled 'The Intertwining—The Chiasm'. It begins 'In the final chapter...'. Focus on the two senses of 'chiasm' (physiological and literary) and how Merleau-Ponty combines them into a 'structure of mediation'. Pay close attention to the three consequences of the self-touch example.

This reading gives us several crucial coordinates:

  • Chiasm (Χ): A crisscrossing structure. Etymologically, it can refer to the crossed arrangement of optic nerves (physiological) or a literary device where structures are repeated in reverse order (AB:BA).
  • Structure of Mediation: For Merleau-Ponty, the chiasm is the structure that mediates between terms we traditionally see as opposed (subject/object, sentient/sensible), combining their unity-in-difference with a sense of reversal and circularity.
  • Three Consequences of Self-Touch:
    1. The body is an "exemplar sensible," proving the kinship between subject and object.
    2. The relationship is reversible, like an "obverse and reverse."
    3. The sentient and sensible never perfectly coincide; they are separated by a gap (écart).

You can see how this structural concept, the chiasm, formally accounts for the dynamic process of reversibility and the écart that we studied in the last lesson.


2. The Form of Intertwining in Merleau-Ponty's Text

Now, let's see how Merleau-Ponty himself describes this structure. He uses a series of powerful metaphors to articulate the form of this intertwining, moving beyond the simple idea of two separate things interacting.

[PDF] The Intertwining-The Chiasm - DOUBLE OPERATIVE

We will now read two key passages from the chapter 'The Intertwining—The Chiasm'. Here, Merleau-Ponty describes the body not as two separate layers (sentient and sensible), but as a unified being with a chiasmatic structure.

Please read from the paragraph starting 'We say therefore that our body is a being of two leaves...' (p. 137) to the paragraph ending '...a couple more real than either of them.' (p. 139). \nFocus on the metaphors he uses to describe the chiasmatic relationship: 'two leaves', 'obverse and the reverse', 'two segments of one sole circular course', and 'two circles, or two vortexes'. Notice how he argues against thinking in terms of layers or planes.

In this rich passage, Merleau-Ponty builds a precise picture of the chiasm:

  • Not Two Layers: He rejects thinking of the body as having a "sensible" layer and a "sentient" layer. This would be to fall back into a flattened, dualistic view.
  • Obverse and Reverse: A better metaphor is the obverse and reverse of a single coin or page—two faces of one and the same thing, inseparable and mutually defining.
  • Circular Course: He describes a single movement that has two phases, like a circular path. This captures the dynamic aspect of reversibility within a single unified structure.
  • Reciprocal Insertion: This leads to the core of the chiasm: a "reciprocal insertion and intertwining of one in the other." The seer is in the visible world, but the visible world is also subtended by the seer's body. They are not contained within each other like boxes; they are mutually enfolded.
  • A Couple More Real Than Either: This is a striking formulation. The chiasmatic relationship between seer and visible (or toucher and tangible) forms a "couple" that is ontologically more fundamental than either term taken in isolation. This "couple" is the basic reality, not the two individual poles.

This is the ontological structure that makes reversibility possible. The touching hand can become the touched hand because they are already two poles of a single chiasmatic "couple," two moments in one "circular course."


3. The Hiatus: The Center of the Chiasm

We've established that the chiasm is the "X" structure where two lines (sentient/sensible) intertwine. Given your mathematical background, you know that the most interesting part of an "X" is the point of intersection. In Merleau-Ponty's philosophy, this intersection is the écart, the gap we discussed last lesson.

Let's revisit the passage where he describes this gap, but this time reading it as a description of the chiasm's central point.

[PDF] The Intertwining-The Chiasm - DOUBLE OPERATIVE

In our last lesson, we read this passage to understand the limits of reversibility. Now, let's re-read it to understand how the 'hiatus' functions as the pivotal point of the chiasmatic structure itself.

Please reread the paragraph starting 'It is time to emphasize that it is a reversibility always imminent and never realized in fact...' to '...adhere to one another' (pp. 147-148). Focus on how this 'hiatus' is not a void but the very thing that binds the two sides of the chiasm together.

This "hiatus" or "spread" is the very heart of the chiasm. It is not an ontological failure or a simple absence. It is the structural divergence that holds the two terms apart, allowing them to be distinct, while simultaneously being the hinge that joins them into a single system.

Think of the "X": the two lines are distinct everywhere except at the center, yet it is the center that defines their relationship. For Merleau-Ponty, this center is a dynamic separation-and-connection. It is the "zero of pressure between two solids that makes them adhere to one another." This is the structure that allows for the process of reversibility, a process that is always a near-miss, a perpetual exchange across a tiny but unbridgeable gap.


4. The Generalization of the Chiasm

Merleau-Ponty does not confine this structure to the body's self-experience. He elevates it to a fundamental principle of Being itself. The chiasm describes the intertwining of self and other, and even of language and meaning.

  • Intercorporeality: The chiasm extends between bodies. As Merleau-Ponty famously states in a passage we read previously (p. 142), "The handshake too is reversible." When I shake another's hand, I can feel myself being touched as I touch. Our bodies form a temporary chiasmatic couple.
  • Language and Thought: He applies the same logic to meaning. In another passage (p. 154), he describes "a reversibility of the speech and what it signifies." The meaning of a phrase and its sonorous, physical presence are not two separate layers. They are intertwined in a chiasm. The meaning is the "other side" of the sound, and vice versa.

As the SEP article notes, we should picture Merleau-Ponty's universe as a "proliferation of chiasms" at all levels, from perception to sociality to language and thought.


Conclusion

Today we have put a name and a form to the dynamic process of reversibility. The chiasm is the fundamental ontological structure that accounts for the intertwining of seemingly opposite terms.

Key Takeaways:

  • The Chiasm (Χ): An "X"-shaped structure of crisscrossing, reversal, and intertwining that mediates between terms like sentient/sensible and subject/object.
  • The Structure of Reversibility: Reversibility is the process that unfolds upon the pre-existing structure of the chiasm. My hands can reverse roles because they are already held in a chiasmatic relationship as two "leaves" of one body.
  • The Écart as Hinge: The gap, or écart, between the two terms is the central point of the chiasm. It is not a void but a productive divergence that both separates and binds the terms together.
  • A General Principle: The chiasm is not limited to self-touch. It is a general ontological structure describing the relationship between the body and the world, self and other, and even language and meaning.

Preview of the Next Lesson:

We have now defined Flesh as the elemental stuff of being, reversibility as its dynamic process, and the chiasm as its underlying structure. In our next lesson, we will ask: what is the nature of the reality described by these concepts? Merleau-Ponty gives it a name: 'wild Being' (être sauvage). We will explore what this term means and how it functions as the ultimate ground of his late ontology.