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Lesson 50

Merleau-Ponty's Conceptual Shift

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Introduction

Welcome to a new module focused on Merleau-Ponty's later philosophy. In our last lesson, we concluded our study of his theory of intersubjectivity by examining a powerful critique from Emmanuel Levinas. Levinas argued that Merleau-Ponty's concepts of intercorporeality and reversibility ultimately absorb the Other into a "philosophy of the Same," failing to preserve the Other's radical ethical alterity.

Those concepts—reversibility, the chiasm, and the ontological ground he calls 'Flesh'—are the cornerstones of Merleau-Ponty's final, unfinished work, The Visible and the Invisible. To properly evaluate Levinas's critique, and to understand Merleau-Ponty's thought on its own terms, we must first grasp why he felt compelled to develop this new, challenging ontology.

Today's lesson addresses this very question. Our learning outcome is to articulate the main conceptual shift that motivates Merleau-Ponty's later philosophy. We will investigate his own critique of his masterpiece, Phenomenology of Perception, and trace the move from a phenomenology of experience to an ontology of Being. This transition is a pivotal moment in his work and foundational for everything we will study hereafter.


1. The Major Shift: From Phenomenology to Ontology

The simplest way to frame the change between Phenomenology of Perception (1945) and The Visible and the Invisible (published posthumously in 1964) is as a shift in fundamental inquiry.

  • Earlier Work (Phenomenology): Primarily focused on describing the structures of lived experience. The central question was, "What is it like to perceive the world as a lived body?"
  • Later Work (Ontology): Focused on investigating the fundamental nature of Being itself that makes such experience possible. The question became, "What must Being be like for a world to appear to us at all?"

This is a move from describing the phenomena to questioning the ground of the phenomena. The following video provides an excellent initial overview of this shift.

Merleau-Ponty - The Visible and The Invisible (1)

This video, from the channel Absurd Being, begins its analysis of 'The Visible and the Invisible' by clearly articulating the move from phenomenology to ontology. It also draws a useful parallel with Heidegger's project, which you've studied previously.

Please watch from 03:48 to 06:59. Focus on the distinction between 'grasping lived experiences' (phenomenology) and understanding what 'allows those experiences to be' (ontology). Also, note the key difference identified between Heidegger and Merleau-Ponty: Merleau-Ponty insists on starting with the phenomenon, with appearance.

As the video notes, while the arc of moving from a description of human existence to an inquiry into Being itself is similar to Heidegger's, the method is crucially different. For Merleau-Ponty, Being is not something accessed by turning away from appearances; rather, Being is the very "being of the phenomenon." This commitment to the perceptual world remains, but the nature of the inquiry deepens. Why did he feel this deepening was necessary?


2. Merleau-Ponty's Self-Critique

Merleau-Ponty did not see his later work as a refutation of Phenomenology of Perception, but as a project to bring its implications to their proper "ontological explication." However, this required a rigorous critique of the earlier work's limitations. He came to believe that, for all its innovations, Phenomenology of Perception had not fully escaped the philosophical tradition it sought to overcome.

The following reading from the Internet Encyclopedia of Philosophy details the core of this self-critique.

Merleau-Ponty, Maurice | Internet Encyclopedia of Philosophy

This article, 'Merleau-Ponty, Maurice,' provides a clear and direct summary of his critique of 'Phenomenology of Perception.' It explains why he felt his philosophy had to change.

Please read the subsection titled 'a. The Critique of the Phenomenology of Perception.' Focus on identifying the main charge: that the earlier work remains confined within a 'philosophy of consciousness' and was 'unsuccessful in getting beyond this dualistic way of thinking' (the subject-object dichotomy).

The core problems Merleau-Ponty identified in his earlier work can be summarized as follows:

  1. It Remained a "Philosophy of Consciousness": Even though it described a body-subject engaged in the world, the philosophical analysis still often began from the position of a reflecting consciousness (the philosopher) looking at experience. This subtly presupposes the very subject-object distinction he wanted to dissolve. The analysis was about how objects present themselves to us, which keeps the "subject" pole of the dichotomy implicitly in place.
  2. The Terminology Was Insufficient: As a consequence, terms like "body-subject," so central to Phenomenology of Perception, began to seem inadequate. This terminology is conspicuously absent from his later writings as he sought a language that was not tied to the concept of a "subject."

A Deeper Problem: The "Tacit Cogito"

Beyond this general critique, Merleau-Ponty pinpointed a specific, foundational concept from his earlier work that he now saw as "impossible": the tacit or pre-reflective cogito. This was the idea of a self or consciousness that exists before language and reflective thought—a silent, primordial awareness we could access through phenomenology.

In his later work, he realized this was a philosophical fiction. He concluded that the very act of thinking about a pre-linguistic self is, paradoxically, an act performed in language.

This next reading explains this crucial reversal in his thinking.

Merleau-Ponty, Maurice | Internet Encyclopedia of Philosophy

Let's continue with the same IEP article. The text immediately following the section you just read explores his abandonment of the 'tacit cogito.'

Please read from the paragraph starting 'Merleau-Ponty also makes one other important comment...' to the end of the subsection. Pay close attention to the quote from his working notes: 'To have the idea of thinking... it is necessary to have words.' This marks a significant elevation of the role of language in his philosophy.

This is a profound shift. The attempt to "return to the things themselves" in a pure, pre-linguistic state is rejected as a "misplaced nostalgia." Instead, he recognizes that language and thought are interwoven with our being from the start. This move away from a philosophy of consciousness and the tacit cogito clears the way for a new kind of inquiry—one that doesn't start with a "subject" at all, but with the fabric of Being in which seeing, thinking, and speaking are already intertwined.


3. The New Direction: An Ontology of the Visible and Invisible

Having critiqued his prior starting point, Merleau-Ponty needed a new one. He finds it in what he calls perceptual faith: the undeniable, pre-philosophical reality that we are in and of a world that appears to us. The goal is no longer to explain how a subject can know an object, but to investigate the structure of this appearing itself.

This new ontology is an ontology of the Visible and the Invisible.

  • The Visible: The sensible world, the realm of perception. It is continuous, whole, and primary.
  • The Invisible: The world of thought, ideas, and language. It is not separate from the Visible but is its hidden lining or structure. It is often fragmented and secondary.

The video segment below introduces this new orientation.

Merleau-Ponty - The Visible and The Invisible (1)

Returning to the video from Absurd Being, this section explains the new starting point and the relationship between the Visible and the Invisible.

Please watch from 35:33 to 39:39. The key idea here is the reversal of the traditional philosophical hierarchy: 'the sensible world is older than the world of thought.' Focus on how he characterizes the Visible (sensible, continuous) versus the Invisible (thought, full of gaps).

This reorientation is radical. Philosophy, especially since Descartes, has traditionally begun with thought (cogito ergo sum) and then tried to prove the existence of the sensible world. Merleau-Ponty now insists we must start with the sensible world—the Visible—and understand thought—the Invisible—as something that emerges from it. This is the positive project of his late philosophy, for which he would develop new concepts like Flesh (chair) and the chiasm to describe the relationship between the Visible and the Invisible.

As the Stanford Encyclopedia of Philosophy article concisely puts it, the goal of The Visible and the Invisible is to "clarify the ontological implications of a phenomenology that would self-critically account for its own limitations." (Resource LINK, Section 1).


Conclusion

Today we have mapped the crucial turn in Merleau-Ponty's career: the movement from the phenomenology of perception to the ontology of Being. This was not an arbitrary change but a philosophically necessary one, driven by a rigorous self-critique.

Key Takeaways:

  • The Conceptual Shift: Merleau-Ponty's work shifts from a phenomenology (describing lived experience) to an ontology (investigating the structure of Being that makes experience possible).
  • Motivation for the Shift: He came to believe that Phenomenology of Perception, despite its intentions, remained a "philosophy of consciousness" that did not fully escape the subject-object dichotomy.
  • Critique of the Tacit Cogito: A key element of his self-critique was the rejection of the "tacit cogito," the idea of a pre-linguistic self. He recognized that language and thought are integral to being, not later additions.
  • The New Ontology: His later project is an ontology of the Visible (the sensible world) and the Invisible (the world of thought), which attempts to understand how the latter emerges from the former, reversing the traditional philosophical starting point.

Preview of the Next Lesson:

We have now established why Merleau-Ponty needed a new conceptual framework. In our next lesson, we will begin to explore that framework itself. We will tackle what is arguably the most important and difficult concept of his later work: the Flesh (chair). This is his term for the elemental fabric of Being, the shared medium in which the seer and the seen, the toucher and the touched—and the Visible and the Invisible—are intertwined.