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Lesson 65

Split Toning and Color Grading

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Introduction

In our last lesson, you mastered the Tone Curve, learning how to precisely sculpt contrast and introduce cinematic color by adjusting the individual Red, Green, and Blue channels. This gave you a powerful, albeit technical, way to add color into the shadows and highlights of your photos.

Today, we'll explore a more modern and intuitive tool designed specifically for this task: the Color Grading panel. This panel is the industry-standard method in Lightroom for creating stylistic looks. Our goal is to master this tool to apply color to the highlights and shadows of an image, giving you a second, complementary workflow to the Tone Curve method you already know. By the end of this lesson, you'll be able to create sophisticated color grades like the popular "orange and teal" look with confidence and precision.


1. From Split Toning to Color Grading

Before the current Color Grading panel existed, Lightroom had a tool called "Split Toning." It allowed you to add one color to the shadows and a different color to the highlights. The Color Grading panel is a direct evolution of this, adding a crucial third dimension: the midtones.

Let's start by understanding this evolution and the core concepts behind the tool.

Introducing Color Grading | Adobe Blog

This official post from Adobe explains the transition from Split Toning to the more powerful Color Grading tool. It will give you a solid foundation in the 'why' behind the panel.

Read the sections 'From Split Toning to Color Grading' and 'Midtone Control'. Focus on understanding that Color Grading does everything Split Toning did, but adds the ability to control the midtones.

This image provides a clear visual summary of the key difference:

Split Toning vs. Color Grading Comparison
This diagram illustrates the core difference: Split Toning is limited to applying color to shadows and highlights, while Color Grading adds a dedicated control for midtones, offering much greater creative flexibility.

The fundamental idea is to apply a color tint based on the brightness of the pixels. Dark pixels (shadows), mid-range pixels (midtones), and bright pixels (highlights) can all be tinted with different colors to create a cohesive mood.


2. Anatomy of the Color Grading Panel

Now that you understand the concept, let's dissect the tool itself. The Color Grading panel can look complex, but it's built around a few key controls.

Adobe Lightroom Color Grading Panel
The Color Grading panel in Lightroom. It features dedicated color wheels for Midtones, Shadows, and Highlights, along with global Blending and Balance sliders to refine the effect.

To see how these controls work in practice, let's watch a clear, concise demonstration.

COLOR GRADE in Lightroom Like a PRO // Cinematic Color Grading

This video by Anthony Gugliotta provides an excellent tour of the Color Grading panel. He breaks down each function, which will demystify the interface.

Watch from the beginning to 03:16. Pay close attention to the explanation of each control: Color Wheels: How they control Hue and Saturation. Luminance Slider: How it adjusts the brightness of a tonal range, which is essential for adding color to pure black or white. Blending Slider: How it controls the smoothness of the transitions. Balance Slider: How it shifts the 'crossover' points between shadows, midtones, and highlights.

To summarize the key functions:

  • Hue & Saturation: Controlled by the puck inside each color wheel. The angle determines the color (hue), and the distance from the center determines its intensity (saturation).
  • Luminance: The slider below each wheel. This is used to make a tonal range brighter or darker. A critical step for adding color to pure black or pure white is to first make them gray by adjusting their luminance.
  • Blending: A global slider that determines how much the color tints of the three ranges overlap. A low value creates more distinct separation, while a high value (100) creates a very smooth, mixed blend.
  • Balance: A global slider that shifts the definition of what Lightroom considers shadows and highlights. Moving it left gives the shadow tint more influence over the image; moving it right gives the highlight tint more influence.

An important distinction to remember, which the video mentions around the 4:45 mark, is the difference between Color Grading and the HSL panel:

  • HSL/Color Panel: Adjusts colors that already exist in the image.
  • Color Grading Panel: Adds a new color tint to a tonal range, regardless of the original colors present.

3. Practical Application: The Cinematic Orange & Teal Grade

You've learned the theory and seen the controls. Now, let's put it into practice by creating one of the most recognizable cinematic color grades: orange and teal. This look is popular because it leverages complementary colors (blue/orange) to create a pleasing visual contrast that makes subjects pop. This systematic approach is perfect for building a preset.

For this exercise, open Lightroom and create a virtual copy of the photo you've been working on in previous lessons.

Create a Cinematic Orange and Teal Color Grade in Lightroom

This Fstoppers article provides a perfect, step-by-step walkthrough for creating the orange and teal look. Follow along with your own image.

Read the article from the beginning through the 'Blend and Balance' section. As you read each step, apply the adjustments in your own Lightroom session. Start with the Shadows: Navigate to the Color Grading panel and add a teal/blue hue to the shadows. Warm up the Highlights: Add an orange/yellow hue to the highlights. Control the Midtones: Add a very subtle warm (red/orange) tone to the midtones to balance the overall look. Blend and Balance: Experiment with the Blending and Balance sliders to fine-tune how the colors interact.

After following the article, take a moment to toggle the Color Grading panel on and off using the "eye" icon or the switch at the top of the panel. Notice how the mood of the image changes completely. The cool shadows and warm highlights create a sense of depth and a professional, polished feel.

As a final touch that connects to our last lesson, the Fstoppers article suggests a final Tone Curve adjustment to create a "matte effect" by lifting the black point. Feel free to apply this now to see how these two powerful tools can work together.


4. Advanced Strategies and When to Use Color Grading

The orange-and-teal look is just one application. The Color Grading panel can be used for many other styles. The video from Anthony Gugliotta that you watched earlier goes on to demonstrate two other powerful strategies:

  1. The Themed Approach (05:57): Analyzing a reference image or movie scene and using the Color Grading tools to replicate its specific color palette.
  2. The Enhance Method (09:58): Using complementary colors to make the existing colors in your photo stand out more. For example, adding a bit of blue to the shadows can make the warm, green tones in a landscape feel more vibrant.

You don't need to watch these sections in detail right now, but keep them in mind as you start developing your own styles.


Conclusion

You now have a firm grasp of the Color Grading panel, a cornerstone of modern photo editing. This tool provides an intuitive, visual way to infuse your images with style and mood by treating shadows, midtones, and highlights as a painter's canvas.

Key Takeaways:

  • The Color Grading panel is an evolution of Split Toning, adding control over midtones for three-way color control.
  • The primary controls are the color wheels (for Hue/Saturation) and the Luminance slider for each tonal range (Shadows, Midtones, Highlights).
  • The Blending and Balance sliders offer global control over how the applied color tints interact and transition.
  • Color Grading adds color tints to tonal ranges, making it a stylistic tool, whereas the HSL panel is used to adjust colors that already exist in the photo.
  • Popular cinematic looks, like orange and teal, are easily created by applying complementary colors to the shadows and highlights.

Preview of the Next Lesson

So far, we've focused on the technical skills for color manipulation using both the Tone Curve and the Color Grading panel. You have the tools, but what look should you create? In our next lesson, we will shift from technique to strategy. You will learn how to define a target aesthetic for a preset collection based on a specific mood or style, and then begin the process of building your first cohesive preset.